(You may have noticed that there have been three different blog posts in the last two days- this is because I have an assignment due and it's never so easy to write as when you're meant to be doing something else.)
So, 24 hour play- Andrew encouraged me to do it, and I'm so glad I did. It's not the first such endeavor I've undertaken, but it's the first time I've been on the acting side of the coin. As you will see at the end, this was quite a debut.
The 24 hour plays at Melbourne are structured differently to those of Bedlam (fancy that!). For one thing, things are much more randomised; writers and directors find each other in a weird mating ritual involving blindfolds, a circle of onlookers and, at least in my case, a half-eaten mannequin with the word 'Kerrick' scrawled on it (and, honestly, all the best rituals do); each writer/director pair is then assigned the number of actors to which they will have access using dice. I decided to join group number one because a) I wanted to meet new people and thus, sadly, not team up with Andrew and b) I hadn't spoken for, like, eight minutes and that's just too long.
As you can see, I chose the cheery bunch. |
Over the course of the rehearsals, I acquired several new in-jokes ('mazel tov' and 'deep inside death' being the primary among them), some new friends and a badass top hat, which I sadly didn't just steal for myself. Definitely worth the eleven hours' rehearsing, I feel.
So, without further adieu, gracious ladies, obliging gentlemen, and, of course, Jari, I present to you, Confetti and Everything.
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